Swedish Realist Painter, 1853-1919 Swedish painter, illustrator and printmaker. He came from a poor family and studied (1866-76) at the Konstakademi in Stockholm, supporting himself throughout this period. From 1871 to 1878 he contributed illustrations to the comic journal Kaspar and the Ny illustrerad tidning. From 1875, for several decades, he was a prolific book illustrator, his most renowned work in this field being his drawings for Föltskärns beröttelser ('The Barber-surgeon's tales'; pubd 1883-4) by Zacharius Topelius, and the Rococo-inspired watercolours for the Samlade skaldeförsök ('Collected attempts at poetry'; pubd 1884) by the 18th-century Swedish author Anna Maria Lenngren.  Related Paintings of Carl Larsson :. | Parisian Model | In the Carpenter Shop | In the Kitchen Garden (nn2 | Model,Writing picture-Postals | den underliga dockan |
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Antoine Plamondon
(ca. 1804-1895) was a Canadian artist who painted mainly portraits and religious images in 19th-century Quebec. Plamondon was born in 1804 (or 1802) at L'Ancienne-Lorette, Quebec, the son of the village grocer. He went to school in Saint-Roch, a suburb of Quebec City, after which he was apprenticed to Joseph Legare (1795-1855), a picture restorer and amateur painter. In 1826 Plamondon travelled to Paris where he studied with classical portraitists such as Paulin Guerin (1783-1855). Works from this period are scarce. In 1830, after the Louis-Philippe uprisings, Plamondon returned to Quebec. While his portraits were of living subjects, many of his religious paintings (commissioned by various churches and religious orders around Quebec City) were based on engravings of old masters. His portrait work was notable for his full-face, close-up, and tightly comosed style as well as a concentration on the latest style of clothing. His later portraits showed more roundness in the modelling and far more space in the composition. By 1850 Plamondon had moved to the country at Neuville, with his mother, a brother, and a sister, where he lived until the 1890s. Much of his work during this period were religious paintings, copies of old masters, done for local churches. Plamondon never married. He was a lifelong monarchist and supporter of the Conservative Party, a friend of Sir George-Étienne Cartier and Sir Étienne Tache, but broke with the Conservatives over the execution of Louis Riel. His 1882 self-portrait was probably his last work He died in Neuville in 1895.
William e.harris
fl.1883-1891
Francesco Vanni
Italian Baroque Era Painter, 1563-1610 was an Italian painter of the Mannerist style, active in Rome and his native city of Siena. He was half-brother of the painter Ventura Salimbeni, and the stepson of Arcangelo Salimbeni, another Sienese painter. His stepfather died when Francesco was young, and as a 16 year old went first to Bologna, then to Rome. There he apprenticed with Giovanni de' Vecchi during 1579-80, though like other Tuscan painters of his day, he was influenced in part by Federico Barocci from Urbino, and he was among the last painters who also reflected the influence of the Sienese School of painting. He was named a Cavalieri. In Rome, he worked later with Salimbeni, Bartolomeo Passerotti, and Andrea Lilio. He was commissioned by Pope Clement VIII to painted an altarpiece for the St. Peter's, later transferred to mosaic, Simon Magus rebuked by St. Peter. He painted several other pictures for Roman churches; including St. Michael defeats rebel angels for the sacristy of S. Gregorio; a Piet?? for Santa Maria in Vallicella; and the Assumption for S. Lorenzo in Miranda. Returning to Siena, where he ultimately died, he afterwards worked at Parma, Bologna, and again at Rome. At Siena, he painted a S. Raimondo walking on the Sea for the church of the Dominicans. Vanni painted a Baptism of Constantine (1586-7) for the church of San Agostino in Siena. He painted a Christ appearing to St. Catherine for the chapel of il Refugio at the Santuario Cateriniano of Siena, and a Baptism (1587) for the former church of San Giovannino e Gennaro.